Inanima

Scott Typaldos

In a modern veterinary hospital, the pathology unit dissects animals to establish the cause of deaths. What seems like a morbid procedure is also a systematic analysis of life’s mechanical flows. Why is the dead animal’s face sometimes indistinguishable from the one still breathing? Why does the domestic animal’s death feel more tangible than a production beast’s ending? Is the life that we project on our animals real or an imaginary creation?

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